New Orleans Jazz – Information and Sights – Jim Robinson
Nathan “Jim” Robinson – born December 25th 1892 at Deer Range Louisiana: died Could 4th 1976 in New Orleans. Just a minimal little bit of heritage to get this display on the street!
Jim analyzed guitar as a child but took up trombone in the military in the 1st Earth War. He returned to New Orleans in 1919 and was good more than enough to be part of the Sam Morgan Band in which he was a fixture for a dozen decades. He examined with Sunny Henry and worked with Lee Collins in the Gold Leaf Band.
He stayed active throughout the Despair, predominantly with Avery “Kid” Howard and was a common with the George Lewis Band.. Jim recorded with the Sam Morgan Band in the 1920’s, famous recordings that have been re-issued numerous instances. He was on the Child Rena Decca classes and is of class on most of Invoice Russell’s Bunk Johnson recordings. A person of the best Jazz Band recordings transpired at this time, with Bunk missing, Jim Robinson and George Lewis together with Baby Dodds, Gradual Drag and Lawrence Marrero established the terrific anthem of New Orleans collective jazz improvisation. It really is yours to pay attention today on American Songs AMCD 4. The tune is identified as “San Jacinto Stomp” – it is really my desert island disc – but more of that later. Now hear to “Ice Cream” with Jim supplying it his all and all over again there are no solos, just jazz. It is on AMCD 2 and by the way, hear meticulously to Newborn Dodds on the drums.
Jim toured and recorded numerous times with George Lewis and Kid Howard, and created some wonderful recordings underneath his personal identify on the Riverside label..This is a smaller section of Jim Robinson’s pretty active audio-stuffed existence. I am not trying a biography listed here, my major function is to get you to pay attention to”Big Jim” yourselves! Scathing critics in the mainstream and modern day jazz fields have carped at the clear simplicity of his design, “the agricultural trombone of Jim Robinson” stated just one critic in the Jazz Journal.
Obtaining invested my daily life researching, playing, dwelling and loving New Orleans Jazz, I can inform you that more trombone gamers have tried using and provided up in disappointment attempting to emulate the Jim Robinson type. I’m not conversing about copying Jim note for take note. No a single would want to copy George Lewis, Jim Robinson, Bunk Johnson or Child Howard. What we are on the lookout for is the fashion -the intent of the instrument in a jazz band actively playing in the New Orleans ensemble The earlier mentioned musicians truly produced a type – certainly – an original development for us to hear to, appreciate and even emulate.
I can notify you that the thrill of taking part in and listening to a band in this type is for me “The that means of lifestyle” The quest for the orgasmic wall of rhythmic sound that is not arranged and spontaneous ensemble improvisation is nirvana.
I suppose my desert island disc would be American Songs AMCD 2 “When You and I ended up Young Maggie”
But I mail you a warning – this audio is addictive – beware! Wait a minute I have bought a different have to-have! In 1963 Tom Bethel recorded Kid Howard at San Jacinto Corridor in New Orleans with Child Howard, Jim Robinson, George Lewis, George Guesnon, Sluggish Drag and Cie Frazier. It really is on GHB 23 – I’ve bought to have that 1 with me! Appear out – right here will come a further a single Jim Robinson stars here on “Moonlight and Roses on GHB